Fiction · Genre 10
Fantasy ghostwriting services give you a professional novelist who builds your world, your magic and your cast of heroes and monsters into a finished manuscript, written under your name. You bring the map in your head. We bring the structure, the pages and the patience to keep a hundred names straight, and you keep the copyright and every royalty.
Every stage, handled by people who read and work in the genre. Choose one service or let us manage the whole journey.
Fantasy is generous to dreamers and brutal to anyone short on time. Worlds take weeks to design and months to write, and a series can swallow years. That is why many authors choose our ghostwriting services and spend their energy on the ideas only they can supply. Get a free consultation and tell us about your world.
Fantasy is fiction in which the impossible is part of the setting: magic, mythical creatures, invented lands or gods who walk among people. The story may take place in a secondary world with its own rules or in our world with a hidden layer. Either way, the genre works by taking its impossibilities seriously.
That last point is the secret. Readers will accept dragons and spells, but not inconsistency. Once a rule exists, it has to hold, and when it bends, the cost must show. Fantasy is less about lacking rules than about having its own.
It is also one of the most series-friendly genres in publishing. Readers who love a world will follow it through trilogies, spin-offs and novellas, which makes planning ahead worth the effort.
Fantasy readers know exactly which corner they like, and they read widely within it. We match your book to a writer who knows the corner, and the Science Fiction and Fantasy Writers Association is a good place to see how the field is divided.
Sweeping stories across kingdoms, wars and ancient powers, often over several books. These need a strong sense of geography, history and a cast large enough for the stakes. We keep a world bible so a river crossing in book one is still the same river in book four. Large casts get distinct voices, goals and speech patterns, so readers never have to flip back to remember who is who.
Magic hidden in the modern city: witches in apartments, vampires with day jobs, portals behind subway tiles. Voice and humor matter, and the mundane details of the real world anchor the fantastic ones. Rent, traffic and awkward family dinners make the magic feel earned rather than showy.
Grim worlds, morally gray heroes and magic with a price. The tone is heavy but must not be monotonous, so we let moments of warmth or dark humor make the shadows deeper.
Romance and fantasy at full strength. The love story and the world-saving plot depend on each other, and readers expect both threads to pay off. We plan the relationship beats as carefully as the battles, including the slow burn, the break and the reunion, and we keep the heat level where you want it.
A fantasy world is a promise to the reader that it holds together. We start by asking what the world is for. Is it a stage for a war, a mirror for a modern problem or a place the heroine would die to protect? The purpose decides which details deserve pages and which can stay offstage.
Magic comes next. Some authors want a hard system with clear rules, limits and costs. Others prefer a softer sense of wonder where magic is mysterious and dangerous. Both work. What does not work is magic that solves problems the author did not want to write. We define what magic can do, what it cannot, who has it and what using it takes from the user.
Then geography, politics and culture. Who rules, who resents it, what do they worship, and how do they greet each other? Names are a good test. If every name sounds like the same invented language, readers lose track, and if none do, the place feels borrowed. We build a naming scheme per culture and keep a glossary.
All of this goes into a world bible that you approve. It is the single most useful document for a long project, because it lets a writer, an editor and a future cover designer see the same world.
Not all of it goes on the page. Readers should sense depth through a few well-chosen details, not through chapters of exposition.
Your project manager coordinates everything and replies within one business day.
Our fiction and series tier starts from $14,900 and covers up to 80,000 words. The final fixed quote depends on scope: length, how complete your world already is and whether you want a standalone book or the opening of a series. Heavy worldbuilding takes more writing time, and the quote reflects it honestly. If you have already written a world bible, a map or earlier chapters, tell us, because finished material shortens the work.
We write the quote down before work begins, split it into milestones and charge no hidden fees. Series are quoted book by book, so you can commit to one volume at a time. See the pricing page for published tiers.
Fantasy readers judge a book by its cover more than most. Our book cover design services create covers that signal epic, urban or romantic fantasy at a glance, and a map for the endpapers can be a draw in itself. Our book publishing services then take the manuscript to print and ebook, with ISBNs registered in your name. A typical full publishing timeline runs 4 to 8 weeks, and series authors can plan matching covers for every volume from the start.
Worlds take time, but the schedule is still set in advance. A fantasy novel of 60,000 to 90,000 words typically takes 12 to 18 weeks to ghostwrite, and epic or multi-volume projects are scheduled book by book in the quote. These timelines assume prompt feedback, and rush schedules are available for an additional fee, quoted up front. We sign an NDA before work begins, and rights transfer to you on delivery, confirmed in writing at the start of the project.
A fantasy novel starts from $14,900 for up to 80,000 words. The fixed quote depends on length, worldbuilding load and whether it is a series, and it is in writing before we start. Editing and publishing are optional extras, priced separately.
Yes. We plan the arc across books, keep a continuity bible and quote each volume separately. Many authors begin with book one and decide on the rest once they have read the draft.
No. Some authors arrive with a full atlas, and others with a single image. We build the rest together, and you approve every major choice, from the names of cities to the price of a spell.
We write the rules into the world bible first, then check every scene against them during drafting and revision. A continuity pass at the end catches the stray mistake before it reaches readers.
Yes. We treat the romance and the fantasy plot as equal partners and plan both before drafting. You keep full ownership under the contract, and the U.S. Copyright Office explains how to register your work.
If your world is waiting for a book, our fantasy ghostwriting services can write it with you. Get a free consultation or submit your manuscript if you already have chapters. Browse every genre we write, and read the Authors Guild advice on contracts before you sign with any writer.
Free consultation
Every enquiry is read by a publishing consultant, not a sales script. You'll get an honest view of your project, a recommended route and a fixed written quote.
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